On this episode of The Bandwich Tapes, I sit down with pianist, composer, producer, and sound designer Dave Mackay for a thoughtful conversation about musical identity, touring life, and the creative possibilities that live between composition, improvisation, and sound.
Dave reflects on the strange rhythm of life on the road, especially after years of near-constant touring. We talk about the physical and emotional shift from playing for massive audiences to suddenly being home, and how that quiet space can bring a different kind of reflection. He speaks honestly about performance, nerves, and why playing the piano can feel natural while speaking into a microphone can still feel unnerving.
We also trace his musical path, from early piano lessons in England to his studies in London and at Berklee College of Music in Boston. Dave shares how a perceptive childhood teacher encouraged him not just to learn music, but to develop his own voice. That thread carries through the entire conversation, from his improvisational instincts as a child to the way he builds sounds, writes records, and approaches collaboration now.
A major part of our conversation centers on Dave’s remarkable body of original work, including his Three trilogy: L.A., Nashville, and Utopia, and his album The Looking Chamber. We talk about the influence of the Esbjörn Svensson Trio, the creative chemistry of working in a trio format, and how sound design and composition constantly inform one another in his music. Dave also shares why he prefers creating his own keyboard patches rather than relying on presets, and how his relationship with Nord keyboards grew out of that sonic curiosity.
We close by talking about his work touring with Brandi Carlile, how that opportunity came together through Lucius, and why he remains passionate about live music that breathes naturally rather than being locked to click tracks and playback. It’s a conversation about artistry, listening, taste, and learning how to trust your own instincts, both on stage and in the studio.
Key Takeaways
- Dave talks candidly about the physical and emotional reality of life on tour, and why the transition back home can feel just as intense as the touring itself.
- He shares how improvisation has been part of his musical voice from the very beginning, even as a young piano student.
- Dave reflects on the importance of great teachers and how one early mentor helped him develop his own sound rather than imposing someone else’s.
- We discuss the origin of his Three trilogy — L.A., Nashville, and Utopia — and how those records grew out of improvisation, friendship, and experimentation.
- Dave offers a fascinating look at sound design, explaining how creating his own patches and textures is integral to his compositional identity.
- He talks about touring with Brandi Carlile and why live music feels most alive to him when musicians listen and respond in real time.
- The conversation becomes a broader meditation on trust: trusting your ears, your collaborators, and the artistic choices that feel most like you.
Music from the Episode
- All the Same - Dave Mackay
- Here in the Vastness - Dave Mackay
- Impulse - Dave Mackay
- Prophecies - Dave Mackay
- Trust Goddess - Dave Mackay
About the Podcast
The Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper musical ideas that shape their work. It’s a show about process, perspective, and the stories behind a life in music.
Connect with the Show
Email: contact@thebandwichtapes.com