All Episodes

Displaying 1 - 20 of 73 in total

#72

Matt Starr

In this episode of The Bandwich Tapes, I sit down with drummer Matt Starr, the acclaimed Canadian-born, Los Angeles–based musician currently touring with Sarah McLachlan.We talk about Matt’s unique musical journey, from starting violin lessons at age five through the Suzuki method to eventually discovering his lifelong calling behind the drum kit. Matt shares how his early orchestral training shaped his listening skills, ensemble awareness, and approach to sound, lessons that continue to inform his playing today.Our conversation explores the real-world practicalities of drumming, teaching, and recording. Matt reflects on the vision behind his YouTube channel, where he offers transparent, practical insights for working drummers navigating everything from gigging and recording to building a career in today’s music world.Matt also discusses his experiences touring internationally with Sarah McLachlan, including the upcoming Canadian tour and U.S. dates, as well as the freedom and trust she gives her band on stage. We explore the balance between leading and supporting in musical settings, the concept of playing to the song, and the importance of knowing when to “drive the bus” versus when to defer.Listeners will also hear stories of Matt’s studies with legendary drumming figures Joe Morello, Jim Chapin, and Bernard “Pretty” Purdie, the lasting influence of the Moller technique on his sound and stamina, and how those lessons continue to shape his teaching and performance today.Whether you’re a drummer or love hearing about the craft of making music, this conversation is packed with insight, humility, and inspiration.To learn more about Matt, visit his website. Music from the Episode:Wait (Sarah McLachlan)Cold Heavy (Sabine and the Red Lotus)Throw My Head Out the Window (Niia)Voices Carry (Kate Hudson)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 
#71

Jeremy Casella

In this episode of The Bandwich Tapes, I reconnect with my old Belmont University neighbor and longtime friend, Jeremy Casella. Jeremy and I first met on the third floor of Pembroke Hall, and after nearly 30 years, it was a joy to sit down and trace the threads of music, friendship, and life that still connect us today.Jeremy shares stories from his early days at Belmont, discovering artists like Béla Fleck and Brooks Williams, and crossing paths with classmates like Brad Paisley, while reflecting on how those formative years in Nashville shaped his career as a songwriter and performer. We talk about the folk scene of the early ’90s, the influence of Phil Keaggy (who has since become a close friend and collaborator), and the ways great music can inspire new creativity rather than imitation.Our conversation also dives deep into the balance of being both a musician and a family man, and how perspective shifts as you approach 50. Jeremy opens up about what it means to leave a legacy through music, including his upcoming Christmas project, and how producing other artists has become an equally rewarding part of his creative journey.Along the way, we touch on coffee rituals, songwriting discipline, the craft of production, and the inspiration of producers like Daniel Lanois. This is a rich, heartfelt conversation with a friend who embodies both authenticity and artistry.Music from the Episode:Autumn in Kingston Springs (Jeremy Casella)Beauty Leads the Way (Jeremy Casella)Love That Will Not Let Me Go (Jeremy Casella featuring The Blind Boys of Alabama)On the Evening Train (Jeremy Casella)To learn more about Jeremy, visit his website. Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 
#70

Brock Derringer

In this episode of The Bandwich Tapes, I get to reconnect with my good friend and former colleague, Brock Derringer. Brock and I shared a lot of time on stage, in the pit, and the music department at Wesleyan School, and it was a blast to sit down and dig into his story.We start with Brock’s roots in small-town Thomasville, Georgia, a place with an unexpectedly rich arts scene, and trace his journey from a 10-year-old piano student to becoming a versatile musician and educator. He shares about his musical family, the influential teachers who shaped him, and how early church gigs prepared him for a lifetime of accompanying, leading, and creating music.Brock talks about his love of teaching, the decision to move from performance into music education, and his current work at Stillwell School of the Arts in Atlanta, where he teaches AP Music Theory and piano. We get into the challenges and changes in music education over the last two decades, the role (and limits) of technology in the classroom, and how he keeps evolving his teaching methods to meet students where they are today.Of course, we reminisce about our time collaborating on musicals, choir projects, and the legendary “Sing-Off” events, including unforgettable Beatles and Billy Joel performances that brought students and faculty to their feet. Along the way, we swap thoughts on musical influences, Billy Joel, Keith Jarrett, Oscar Peterson, and the importance of process over product in mastering any craft.This conversation is part reunion, part masterclass, and part trip down memory lane. Brock’s passion for music and dedication to his students are contagious, and I left this talk reminded of why making and teaching music matter so much.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 
#68

Rita Bliss

In this episode of The Bandwich Tapes, I sit down with Rita Bliss, a fantastic musician, songwriter, and banjo player whose work blends old-time, Americana, and folk traditions with a fresh, personal twist. We discuss her musical journey, the deep roots of music in her family, and how growing up surrounded by instruments and storytelling influenced her voice and perspective. Rita opens up about her move to Austin, the vibrant music scene there, and how it’s influenced her as both a performer and a writer.We dive into her songwriting process, the role of the banjo in her music, and the joy (and challenge) of recording and releasing new work. Rita shares some behind-the-scenes stories from recent singles and what it’s like to bring those songs to life in the studio. There’s also a lot of warmth in how she talks about live performances, that real-time connection with an audience that keeps the music breathing and evolving.Originally from New York, Rita has carved out a unique voice in the Americana world with a sound that’s both grounded in tradition and deeply personal. Her thoughtful lyrics, intricate banjo work, and easygoing presence make her a compelling artist to watch. Toward the end of our conversation, we talk about what’s next, from upcoming shows to future releases, and it’s clear that Rita Bliss is just getting started.To learn more about Rita, please visit her website. Music from the episode:Peaches & Apple Pie (Rita Bliss)Drive You to Kentucky (Rita Bliss)Best Bar in Texas (Rita Bliss)We Will Sing (Rita Bliss)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 
#65

Dr. Brett Dietz

In this episode of The Bandwich Tapes, I had the pleasure of sitting down with Dr. Brett Dietz, Director of Percussion at LSU, and someone who had a tremendous impact on my own family. Brett taught my son Skyler throughout his college years, and I've long admired him as both an educator and an artist. This was a special and personal conversation.We discuss Brett's journey from studying under Michael Burritt at Northwestern to his unexpected opportunity at LSU in 2003, where he has been teaching for over two decades. He reflects on the evolution of the percussion studio, the effects of the 2008 recession and the COVID-19 pandemic on student development, and how the landscape of music education has shifted over the years.We delve into teaching philosophies and how Brett identifies the most minor technical issues that unlock major improvements, and why teaching is ultimately about remembering what it's like to struggle. We also cover the deceptively complex art of triangle and tambourine playing, and how Brett balances classical rigor with kindness and adaptability.And then there's Brett the composer. He shares the backstory behind his works, such as Sharpened Stick and Headcase, and how his early days in a high school garage band with Doug Perkins (yes, that Doug Perkins) led to a lifelong love of composing. He discusses studying under legends like Stanley Leonard, David Stock, and J. Allen Yim, and how those mentors shaped his artistic voice.Whether you're a percussionist, a teacher, or just someone who loves stories about finding your path and making an impact, this episode is packed with insight, warmth, and some great laughs.To learn more about Brett, visit his website.  Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 
#64

Chad Jeffers

In this episode of The Bandwich Tapes, I reconnect with my longtime friend Chad Jeffers. We go back to our days at Belmont University, and it’s been incredible to watch his journey unfold, from growing up in East Tennessee playing in family bands to touring the world with some of the biggest names in music.Chad shares stories from his early days performing with his dad and brother, forming the band Raney Nickel, and eventually making his way to Nashville. After double-majoring in music business and marketing at Belmont, he landed an internship with Reba McEntire’s company, which gave him a behind-the-scenes education in the industry. From there, his career took off, touring with The Wilkinsons, signing with RCA as part of Pinmonkey, and later joining Carrie Underwood’s band.We discuss his experiences performing everywhere from Vegas residencies to overseas military tours, and the lessons he has learned along the way about professionalism, collaboration, and being someone others want to work with. Chad also shares how his creative energy has led him into real estate, where he now helps clients with the same focus and passion he brings to the stage.He even tells us about a new online course he has developed to help entrepreneurs prepare for client meetings, drawing unexpected yet powerful parallels between stage presence and business success.To learn more about Chat, visit his website at chadjeffers.com.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 
#63

Rachael Moore

In this episode of The Bandwich Tapes, I talk with producer, mixer, and engineer Rachael Moore, whose work spans some of the biggest names in music and film. Rachael has been a major force in Nashville for over a decade, collaborating with legends such as Robert Plant, Alison Krauss, and T-Bone Burnett. She also produced and recorded all the music for the Showtime series George & Tammy, starring Jessica Chastain and Michael Shannon.Rachael shares her journey from growing up in the South to becoming a trusted name in Nashville’s production scene. We discuss her beginnings as a session engineer, the lessons she learned from top producers, and how she built a career by combining technical precision with a deep understanding of artists’ needs. She talks about her work on TV and film projects, including George & Tammy, Nashville, The Old Man, and the indie film Downtown Owl.What stood out to me in our conversation was Rachael’s clear commitment to collaboration and service. She sees music production as a people-first business and takes pride in delivering on an artist’s vision, sometimes in unconventional ways, but always with heart. From navigating the pandemic to shaping organic sounds across genres like country, Americana, indie, and rock, Rachael’s story is a testament to adaptability, creativity, and love for the craft.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 
#62

William James

In this episode of The Bandwich Tapes, I sit down with William James, Principal Percussionist of the St. Louis Symphony Orchestra. We talk about his journey through the world of orchestral percussion, from early influences and summer programs to the high-pressure world of auditions. Will shares thoughtful insights on what it takes to succeed as a modern percussionist, both musically and administratively.We dig into the evolving expectations placed on orchestral players, the challenges of recording and venue acoustics, and how creativity, flexibility, and technology are reshaping the field. We also reflect on the importance of great teachers, the value of building a strong repertoire, and the ongoing role education plays in both our lives.Will’s passion for percussion extends far beyond performance—he’s a dedicated educator, chamber musician, and author. His contributions to the percussion community have had a lasting impact, and I was grateful for the opportunity to delve deeper into his story.About William James: William James is the Principal Percussionist of the Saint Louis Symphony Orchestra. He won the position at just 25, following studies at Northwestern University and the New England Conservatory. A versatile performer and educator, Will has played with top orchestras across the country, given solo recitals, taught masterclasses nationwide, and authored The Modern Concert Snare Drum Roll. You can learn more about William at: williamjamespercussion.comMusic from the Episode:Scirocco (Michael Burritt)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 
#61

Matt Rollings

In this conversation, I sit down with Matt Rollings to explore his incredible journey as a musician. We talk about the early family influences that helped shape his path, his time in Nashville, and the career milestones that followed. Matt opens up about the importance of feel and connection in music, and how those elements often outweigh technical precision.This episode is especially meaningful because Matt played on my album when I was just 11 years old. Reconnecting and talking music with him all these years later was a full-circle moment I’ll never forget.We delve into some of his most memorable collaborations, the evolution of his work as a producer and educator, and the joy he derives from mentoring the next generation of musicians. Throughout our chat, we discuss the art of musical collaboration, the emotional interplay between players, and how listening—really listening—is at the heart of great music-making.We also share our reflections and journeys through sobriety, vulnerability's role in life and art, and why curiosity and flexibility have remained core to his creative process. I'm excited to share this inspiring, thoughtful, and profoundly musical conversation with you.Learn more about Matt at: mattrollings.com.Music from the Episode:Groove With a View (Matt Rollings)I'm Little But I'm Loud (Brad Williams)El Padre de Papagallos (Matt Rollings)North Dakota (Lyle Lovett)Nobody Knows Me (Lyle Lovett)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 
#57

Michael Watson

In this episode of The Bandwich Tapes, I sit down with Michael Watson to explore the life of a working musician. We dive into the challenges, influences, and experiences that shape a career in music, from the struggles of touring to the evolution of legendary groups like the Drifters and the Platters.Michael shares vivid stories from his time on the road with the Platters, including unforgettable performances at iconic venues like Niagara Falls and Laughlin, Nevada. He talks about the difficulty of performing while sick, how a small local gig blossomed into a beloved community event, and the constant learning and adapting required to grow as a performer.We also reflect on the deep joy of live performance and the camaraderie that develops among musicians. Michael recounts hilarious onstage mishaps, the importance of shifting musical styles on the fly, and what it's like to play alongside iconic artists. The conversation highlights the shared bond that makes playing music live a rewarding experience.Later, we explore the nuances of vocal technique, natural ability, and the physical demands of performing. We also discuss the dynamics of working in agency bands, the pressures of constant gigging, and how musicians make decisions to protect their health as they age. This is a rich, honest look at the realities of life in music and what keeps us coming back to it.Thank you for listening! If you have any feedback, questions, or want to say hi, contact info@thebandwichtapes.com. Please help spread the word about the show!Theme music: "Playcation" by Mark Mundy
#54

David Blamires

In this episode of The Bandwich Tapes, I sit down with the remarkably versatile vocalist and musician David Blamires for a thoughtful and wide-ranging conversation about his global musical journey, his time with the Pat Metheny Group, and his solo career.Born in the UK and raised in Canada, David’s voice has left its mark across genres. He’s perhaps best known for his work with the Pat Metheny Group, where his signature harmonies and unmistakable tone helped shape the sound of albums like Still Life (Talking) and We Live Here. But his career spans far beyond that, including an extensive resume as a session singer, live performer, and solo artist.Whether you're curious about the world of studio vocals, the dynamics of life on the road, or the creative spark that brings voices together in harmony, this episode offers a fascinating glimpse into the art and craft of a world-class musician.Music from the Episode:Minuano (Six-Eight) (Pat Metheny Group)Last Train Home (Pat Metheny Group)Across the Sky (Pat Metheny Group)Follow Me (Pat Metheny Group)Something to Remind You (Pat Metheny Group)Deep is the Midnight Sea (David Blamires Group)This Time (David Blamires)With Every Passing Day (David Blamires)Learn more about David and his work at davidblamires.com.Thank you for listening! If you have any feedback or questions, or just want to say hi, reach out at info@thebandwichtapes.com — and please help spread the word about the show!Theme music: "Playcation" by Mark Mundy
Previous Page

Displaying 1 - 20 of 73 in total

Next Page